ForewordThe Ru skirt was a common female clothing during the Sui and Tang Dynasties. Its artistic features were reflected in many aspects, demonstrating the ingenuity and skills of the craftsmen.
The artistic characteristics of Ru skirt clothing in the Sui and Tang Dynasties showed the spirit and aesthetics of the times and became an important part of the history of Chinese clothing. So what are the artistic characteristics of Ru skirt clothing in the Sui and Tang Dynasties?
The development history of Ru skirt during the Sui and Tang DynastiesDuring the Sui and Tang Dynasties, the underskirt was the most important type of women's clothing. Its development history went from the high-waisted robe in the early Tang Dynasty to the pleated skirt in the prosperous Tang Dynasty, and then to the underskirt in the late Tang Dynasty. This article will introduce the development history of underskirts in terms of materials, styles, decorations, etc.
High-waisted robes in the early Tang Dynasty In the early Sui and Tang Dynasties, most women's clothing was robes, and robes came in different styles, one of which was the high-waisted robe.
This gown is characterized by a short length from neckline to waist, a wide hem, and a deep side crotch. The materials are mainly silk, the colors are mainly dark, and decorative patterns are rarely used.
Pleated skirts in the prosperous Tang Dynasty In the middle of the Tang Dynasty, the style of skirts began to change. During the prosperous Tang Dynasty, pleated skirts became the mainstream. Pleated skirts are characterized by a cinched waist, skirtThe bottom of the child is wrinkled.
The materials are mainly light and thin silks and satins, and the colors used are also more vivid, often bright colors such as red, green, and yellow.
Ru skirt in the late Tang Dynasty In the late Tang Dynasty, the style of Ru skirt was gradually simplified and became a close-fitting style, which was called "Ru skirt". In the late Tang Dynasty, the hem of the skirt shrank slightly.
Folds are added to the waist of the skirt to make the lines of the skirt smoother. At the same time, the neckline of the skirt has gradually become round or semi-circular.
Decoration In terms of decoration of underskirts, pleated skirts during the Tang Dynasty were richly decorated, with inlays of precious materials such as gold and silver threads, as well as embroidery and ribbons of various patterns.
In the late Tang Dynasty, the decoration of underskirts tended to be simple, with only a small amount of embroidery or ribbons decorated on the neckline, belt, cuffs, etc.
During the development of Ru skirts during the Sui and Tang Dynasties, the transformation from robes to pleated skirts and Ru skirts not only changed in materials, styles, decorations, etc., but also reflected the aesthetic taste of women's clothing at that time and the influence of social changes.
The underskirt is mostly robe style, ankle-length, and there are also short styles. With the changes of the times and the continuous development of society, the styles and designs of underskirts have also continued to evolve.
During the Sui and Tang Dynasties, Ru skirts gradually evolved into various styles and patterns, which had certain artistic value and aesthetic characteristics.
During the Sui and Tang Dynasties, the styles and designs of Ru skirts became more colorful. The Ru skirts of the Sui Dynasty were mainly "three-step skirts" and "horse-faced skirts". "Three-step skirts" means that the cuffs, placket, and hem are all in a three-step shape, and the hem is longer.
There are also two long belts on the left and right sides of the skirt, which can be tied around the waist to highlight a woman's graceful figure; the "horse-faced skirt" has a placket, sleeves and hem shaped like a horse's face, with some arcs. The shape of the decoration looks very exquisite.
There were many styles of skirts in the Tang Dynasty, including "flower feather skirts", "jade hook skirts", "pleated skirts" and so on. Among them, "flower feather skirt" refers to a skirt covered with feathers of various colors and styles, which looks very bright and gorgeous.
"Jade hook skirt" refers to a skirt with various patterns and patterns embroidered with silk thread, and these patterns and patterns are also decorated with some small jade hooks, which are very exquisite.
"Pleated skirts" are also a major feature of Tang Dynasty skirts. This kind of skirt presents a multi-layered sense and looks very romantic and dreamy.
During the Sui and Tang Dynasties, the styles and designs of underskirts became more diverse and exquisite, and almost every style had its own unique aesthetic characteristics and artistic value.
These underskirts not only reflected the cultural and aesthetic trends of the society at that time, but also provided rich references and inspirations for the clothing design of later generations.
Sui Dynasty Ru skirt stylesAnd Design During the Sui Dynasty, the design of the underskirt was mainly practical. The length of the skirt was above the knee, and the hem was large and loose.
Underskirts are generally divided into upper and lower parts. The design of the hem is mainly in the form of arcs or diagonal lines that go around the body to enhance the streamlined feeling of the body. In addition, the skirt is also equipped with a belt to emphasize the waist line and reflect the soft curves of women.
The design style of Ru skirts during the Sui Dynasty was simple and plain, mostly decorated with monochrome or a small amount of color embroidery, with common flower and bird patterns. The underskirts of this period were mainly made of natural fiber materials such as silk, silk, and linen, and were light and comfortable.
Styles and Designs of Ru Skirts in the Tang Dynasty During the Tang Dynasty, the styles and designs of Ru skirts began to diversify. In terms of skirt design, Tang Dynasty skirts often featured patterns such as patterns, clouds, leaves, etc. to enhance the artistic sense and decorative effect.
The design of the skirt also tends to be loose and comfortable, and the degree of fit with the body gradually decreases. Tang Dynasty skirts had a belt added to the waist, which not only emphasized the waist line, but also reflected the soft curves of women.
In terms of fabric material, the Tang Dynasty's skirts used higher-quality silk materials, which were lighter, softer and more colorful.
The patterns and colors on the skirts of this period also tended to be richer, and techniques such as embroidery, printing, gold and silver thread inlays were often used, and the decorative effect was more gorgeous.
SuiThe fabrics and production techniques of Ru skirts in the Tang Dynasty also had unique characteristics. The fabrics of underskirts mainly include silk, silk, cotton and linen, etc.
Silk was one of the most important fabrics during the Sui and Tang Dynasties. There were various varieties of silk, including satin, Luosha, silk, damask, etc.
Satin and Luosha are the most expensive varieties of silk, and can only be worn by wealthy people. Silk and damask are common fabrics for ordinary people, and the price is relatively moderate, so they were widely used in the Sui and Tang Dynasties.
Cotton and linen fabrics are also one of the commonly used fabrics for skirts, especially in northern areas, where cotton and linen products are more suitable for the local climate.
The production process of underskirts mainly includes cutting, sewing, embroidery and other links. In terms of cutting, the skirt is made using symmetrical cutting, which means folding the fabric in half and cutting it into two symmetrical pieces at once, eliminating the need for symmetrical comparison and improving production efficiency.
In terms of stitching, the skirt uses two methods: direct stitching and indirect stitching. Direct stitching is to sew the edges of two pieces of fabric directly after overlapping them, and is suitable for thicker fabrics.
Indirect stitching is to fix the edges of two pieces of fabric with small nails and then sew them together. It is suitable for thinner fabrics. In terms of embroidery, the embroidery patterns on skirts during the Sui and Tang Dynasties were diverse, including flowers and birds, figures, landscapes and other themes, and the stitching methods were also diverse, including flat stitch, embroidery needle, crochet, etc.
In addition to the choice of fabrics, the production process also affectsThe quality and style of the skirt are important factors. During the Sui and Tang Dynasties, the production techniques of Ru skirts can be roughly divided into the following types:
Tube cutting method: This method is to cut the fabric into multiple rectangles according to a certain proportion, then piece the rectangles into a long strip, and then sew them together on one or both sides to form a skirt.
This method can save fabric, and the hem of the skirt does not require too much stitching. It is more suitable for simple designs and loose wear.
Tape cutting method: This method is to first cut the fabric into multiple strips according to the width of the skirt, then sew the strips into a long strip, and finally sew them together on one or both sides to form a skirt.
This method is more suitable for patterned fabrics because the stitching position can avoid damaging the integrity of the pattern.
Skirt cut-to-cut method: This method involves cutting the fabric directly into a skirt according to the shape and size of the skirt, requiring more fabric and stitching.
In addition to the cutting method, the decoration of the underskirt is also a factor that needs to be considered during the production process. Ru skirts in the Sui and Tang Dynasties were usually decorated on the collar, cuffs, hem, hem and other locations.
Common decoration methods include embroidery, trimming, tassels, pendants, etc. Different decoration methods can make the skirt more beautiful and elegant, and also reflect the aesthetic characteristics of the times.
The fabrics and production techniques of Ru skirts during the Sui and Tang Dynasties were relatively sophisticated. The rich and diverse fabric selections and various sophisticated production methods allowed Ru skirts to play an important role in clothing culture.
At the same time, the application of various decorative techniques also made the styles of underskirts more diverse, reflecting the aesthetic characteristics and cultural features of the society at that time.
The cultural background and social significance of Ru skirts in the Sui and Tang DynastiesThe prosperity of palace culture. During the Sui and Tang Dynasties, palace culture achieved unprecedented prosperity. The clothes in the palace were more exquisite, and the skirt became one of the main clothing for the women in the palace.
The prosperity of the palace culture reflected the strength of the imperial power at that time, and also showed the cultural pursuit and improvement of the aesthetic level of the aristocratic class.
The influence of Confucianism, Confucianism was widely spread and influenced during the Sui and Tang Dynasties. In Confucianism, women are regarded as an important part of the family, and their words and deeds have an important impact on the reputation and order of the entire family.
Women are required to possess qualities such as meekness and virtuousness in Confucianism. As a representative of women's clothing, the underskirt also embodies this idea and is regarded as one of the important symbols of women's virtuous character.
The influence of literati. During the Sui and Tang Dynasties, literati had unique insights into the aesthetics of clothing. They believe that clothing should reflect personal taste and temperament.
Their attention to detail and decoration in their clothing is also reflected in the design and style of their skirts. This aesthetic concept of literati also promoted the development of clothing at that time.
A symbol of social status. During the Sui and Tang Dynasties, the skirt was regarded as one of the main garments for women and also became a symbol of women's social status.
With the development of society, the materials, styles and decorations of underskirts have gradually been linked to women's social status.
For example, gorgeous underskirts are often used to show the status of queens or nobles, while elegant underskirts are more suitable for ordinary people to wear.
The carrier of cultural exchanges. During the Sui and Tang Dynasties, the Ru skirt, as a cultural carrier, was used to spread and exchange the culture and customs of different regions.
The popularity of Ru skirt also reflected some characteristics and trends of Tang Dynasty society. The Tang Dynasty was the heyday of China's feudal society, with prosperous social economy and developed culture.
In such a social environment, people's demand for clothing has become increasingly diverse and personalized. The various styles and rich decorations of Ru skirts show the diversity and prosperity of Tang Dynasty fashion culture.
Ruqun also reflects the social status and cultural quality of women in the Tang Dynasty. The status of women in the Tang Dynasty was relatively free and equal, and they had more opportunities to receive education and cultural influence.
The design and production of underskirts require superb craftsmanship and rich cultural literacy. Therefore, being able to make exquisite underskirts is not only a craft, but also a cultural inheritance and development.
The Ru skirt in the Sui and Tang Dynasties was not only a kind of clothing, but also a product of culture, art and society. Its development history, styles and designs, fabrics and production techniques, cultural background and social significance all demonstrate the diversity and prosperity of Tang Dynasty fashion culture, as well as the freedom and equality of women in Tang Dynasty in terms of social status and cultural literacy.
During the Sui and Tang Dynasties, Ru skirts were one of the important female costumes at that time. They had distinctive artistic features. The artistic characteristics of Ru skirts during the Sui and Tang Dynasties paid attention to the matching of colors and patterns. Ru skirts were often made of brightly colored silk fabrics, and the patterns were mostly abstract clouds. , dragons, phoenixes, flowers, etc., showing the prosperity and magnificence of the Tang Dynasty.
Emphasizing the beauty of symmetry and balance, the design of the underskirt pays attention to left and right symmetry, such as the tassels on both sides of the skirt waist. It also pays attention to layering and decoration. The body and sleeves of the underskirt often have multi-layer superimposed designs, which are more decorative. powerful.
The artistic characteristics of Ru skirts in the Sui and Tang Dynasties not only reflected the aesthetic trends and cultural connotations of the society at that time, but also had an important impact on the clothing design of later generations.
Understanding the artistic characteristics of Ru skirts during the Sui and Tang Dynasties will help us better understand the culture and fashion trends at that time, and it can also inspire us to pay attention to artistry and innovation in modern clothing design.
